Cinema

I don’t have a list of my favorite movies on my Facebook page because no one agrees, just like in religion and politics. It’s just a matter of taste and preference. In the issue of movies, everybody is an expert and a critic. But we all agree on one thing. Nobody’s right. My list could be absurd and even ridiculous to everyone else.

Each magazine picks different movies. Each critic has other choices. It’s the same thing with every person. My favorite movies might be dumb choices to everyone else. If I see your list, I might disagree with some of your favorites. That’s why we call ourselves individuals. Ultimately, all lists are useless because every single mind is different. 

The best thing on this Earth might be the individual mind and the assertion that no two minds are alike.

The Academy of Motion Pictures, Arts and Sciences or Oscars is the bible of universal films. (What an arrogant and inflated title) Most people don’t agree with many of their choices. If you are going to trash the ‘experts,’ I can’t imagine what you would do with my list. (But I can guess.)

I saw my first movie when I was seven, and since then, my passion has only increased. And I was hooked forever. I still remember many details about the film and even the surroundings of the ‘movie theater .’ (The exterior wall of a church was the screen.)

For many years, one of my favorite programs was Siskel and Ebert at the Movies. They later renamed it Ebert and Roeper. I watched it religiously every Sunday. They were very smart, so bright, that even when one had a thumbs down and the other a thumbs up, I would agree with them after they gave their reasons. They made me love the movies even more. And I also enjoyed the end-of-the-year program dedicated to the year’s worst movies. It always gave me significant pleasure that I never saw any of the worst films they listed.

Sight and Sound, a respected and revered British film, monthly prints the list of the ten best movies of all time every ten years, chosen by hundreds of critics worldwide. It is as close as possible to fairness and perfection; still, half the world wouldn’t agree. The 2012 list includes one Japanese film, one Italian, one from Russia, two French, and five from the USA. Of the ten, three are silent films. The list of the top fifty films from the same magazine shows various languages and genres. Out of the top ten movies, I’ve seen eight.

I’m not fond of Musicals, where everybody dances, sings, jumps, and fights with fake knives. Or when a lady sings atop a grassy mountain, followed by a bunch of nerdy, rich kids. That’s different than my choice of a good movie. I would not pay to see that. To me, Lawrence of Arabia was a four-hour documentary about sand. I love England but not their movies about kings, queens, and boring things. I was not fond of The English Patient or Chariots of Fire. Also, if it’s too romantic, I’ll skip it.

So there you have it. Now that you know what I don’t like, you can slaughter my choices, mock my list and ignore and condemn my preferences.

Wouldn’t it be nice if we could retire the great movies to a “Movie Hall of Fame”? For example, pick the ten best of every decade, put them in the Hall of Fame, and do the same every ten years.

On another subject, I wouldn’t feel so sad when Blockbuster finally disappears. How can they have fifty copies of Eat Pray Love and only one of City of God?

I can easily add another hundred movies to my list of favorite films. I can put them all in random play and be happy for the rest of my life, and I wouldn’t feel like I’m wasting my time. The common denominator in all these films is a great story. The story is the heart of the movie. First of all, we should thank the writers.

These movies shaped my life and inspired me to be a good person. (I’d like to think I am.) I love and enjoy life because of these movies. By the way, probably half of them had made me cry.

Without any order or preference, here’s my list:

  • THE GRADUATE
  • PULP FICTION
  • CITY OF GOD
  • ONE FLEW OVER THE CUCKOO’S NEST
  • THE GODFATHER
  • THE GODFATHER II
  • FOREST GUMP
  • SILENCE OF THE LAMBS
  • APOCALYPSE NOW
  • TAXI DRIVER
  • A CLOCKWORK ORANGE
  • THE TREASURE OF THE SIERRA MADRE
  • CINEMA PARADISO
  • BABEL
  • THE BICYCLE THIEF
  • 2001: A SPACE ODYSSEY
  • AMORES PERROS
  • NO COUNTRY FOR OLD MEN
  • THE GRAPES OF WRATH
  • GONE WITH THE WIND
  • THERE WILL BE BLOOD
  • Y TU MAMA TAMBIEN
  • LA STRADA
  • RAGING BULL
  • TRAFFIC
  • CRASH
  • GIANT
  • REBEL WITHOUT A CAUSE
  • PANS LABYRINTH
  • GLADIATOR
  • THE WIZARD OF OZ
  • THE EXORCIST
  • SCHINDLER’S LIST
  • MILLION DOLLAR BABY
  • THE DEPARTED
  • MYSTIC RIVER
  • AMERICAN BEAUTY
  • LOS OLVIDADOS
  • AGUIRRE: THE WRATH OF GOD
  • BLADE RUNNER
  • CITY LIGHTS
  • DAY FOR NIGHT
  • DRUNKEN MASTER II
  • THE 400 BLOWS
  • GOODFELLAS
  • MONSTER
  • LITTLE BIG MAN
  • BORN ON THE FOURTH OF JULY
  • CRIES AND WHISPERS
  • BUTCH CASSIDY AND THE SUNDANCE KID
  • PONETTE
  • A HARD DAY’S NIGHT
  • TALK TO HER
  • HUMBERTO D
  • IN THE HEAT OF THE NIGHT
  • EL NORTE
  • UNFORGIVEN
  • M
  • THE VIRGIN SPRING
  • MARCELINO PAN Y VINO 
  • IKIRU 
  • APU TRILOGY
  • METROPOLIS 
  • JEAN DE FLORETTE
  • MANON OF THE SPRING
  • FISH STORY 
  • TOKYO STORY 
  •  I SAW THE DEVIL
  • RASHOMON
  • RAN 
  • SEVEN SAMURAI
  • DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER 
  •  A WOMAN WALKS HOME ALONE AT NIGHT
  • SUNSET BOULEVARD 
  • CLOSE ENCOUNTERS OF THE THIRD KIND 
  • TO KILL A MOCKINGBIRD 
  • THE SHAWSHANK REDEMPTION 
  • THE PASSION OF JOAN OF ARC
  • BARRY LYNDON
  •  MULHOLLAND DRIVE
  •  ALMOST FAMOUS
  • PARASITE 
  • SOCIAL NETWORK
  • CROUCHING TIGER 
  •  4 MONTHS 3 WEEKS AND 2 DAYS
  • ONCE 
  • LET THE RIGHT ONE IN
  •  TANGERINE
  • MUSTANG
  • GET OUT 
  • LADY BIRD 
  • BABADOOK
  • MOONLIGHT
  • HELL OR HIGH WATER 
  • PHANTOM THREAD
  • BABY DRIVER 
  • OLDBOY
  •  ROMA 
  • AMELIE
  • KILL BILL
  • ONCE UPON A TIME IN HOLLYWOOD
  • MAD MAX: FURY ROAD 

 They ask me, “If you were alone on a deserted island, what movie (book or album) would you take?” I’d answer, “None.” I need at least a hundred, not just one. It’s like asking a mother which of her two children she prefers. (Oh, I forgot about Sophie’s Choice!)

You might say, “Oh, but you missed this one or that one,” I’ll respond, “Yeah, I know, but they belong on your list.”

So, why put a shortlist of my favorite movies on my Facebook page if all my friends disagree with my choices? Why not add a more extended list to my blog and tell the world about my disparate preferences? 

The End


EDMUNDO BARRAZA

Visalia, CA. 08-14-2012

Author: Edmundo Barraza

Edmundo Barraza was born in Durango. He grew up in Torreon, Mexico. He now lives in Los Angeles, Ca. Even though he became an American Citizen in 1990, he still considers Torreon his hometown. He was seven when he saw his first movie. The screen was the exterior wall of a church at the top of a hill. A Spanish film about a baby left outside a church by his mother. He never stopped watching movies after that. He began writing short stories in 2009. His love for cinema pushed him to turn his own stories into scripts and then to film. In 2015 he shot his first short film, "The Corpse Is Alive," which won thirteen nominations at different film festivals worldwide. "Drugs And Chocolates" and "The Psychic" have also won numerous awards. Some of his favorite film directors include Luis Buñuel, Federico Fellini, Akira Kurosawa, Ingmar Bergman, Stanley Kubrick, Sam Peckinpah, Alfonso Cuarón, Alejandro González Iñárritu, and many others. His favorite music includes The Beatles, Stevie Wonder, Pink Floyd, The Clash, Temptations, The Doors, Led Zeppelin, Bob Dylan, and many others. "Playing pool, listening to rock music, and having a beer is great, but reading a book, writing a story, or watching a good film is even better. I hate guns and evil political leaders, racist people too. I love good people. Children are the most precious thing in the world. I aim to shoot a feature film based on one of my stories." Edmundo is married to Consuelo Barraza. They have a daughter and a son, Michelle Solano and Carlos Barraza.

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